At the tail end of my interview with American Fiction director Cord Jefferson, I asked him a brief question about finding the right tone for the ending of this...
In English filmmaker Andrew Haigh’s All of Us Strangers, grief is overwhelming. Emotions run deep, relationships ebb within the span of a scene, and loneliness...
How do you embody pure evil? While the discussion swirls regarding precisely how much Jonathan Glazer's The Zone of Interest is meant to humanize the Nazis, by...
How do you make rowing look interesting? That's one of the challenges George Clooney faced with The Boys in the Boat, the new film based on the Daniel James Br...
Seeing Anthony Dod Mantle's name on EnergaCAMERIMAGE's guest list, I had some instinct we should talk. Few cinematographers in my (or yours or anyone's) lifeti...
Safe saying no Holocaust film's ever looked or moved like The Zone of Interest, whose visual scheme are so odd, so resistant to expectation or desire, that it ...
One of the less public-facing key talents at the most publicly scrutinized animation studio in the world, cinematographer Atsushi Okui joined Studio Ghibli in ...
Nearly 24 years ago, Chris Wilcha premiered his debut feature documentary, Target Shoots First, a fascinating personal essay shot on a Hi8 camera gifted to him...
Willem Dafoe is your favorite actor’s favorite actor. He’s your favorite director’s favorite actor. He’s likely most people’s dad’s favorite actor. Over his 40...
