Before now there has never been a full-length biography of Elaine May, the icon known for being one-half of Nichols and May and the director of A New Leaf, The...
Matthieu Laclau is a French editor who has been working in China and Taiwan since 2008. His collaboration with director Jia Zhangke in A Touch of Sin won him B...
Premiering at Sundance to rave reviews earlier this year, In a Violent Nature instantly set itself apart from the glut of recent independent horror films via i...
It might be too on-the-nose to call Saved! a minor miracle of a movie, but how else would you describe Brian Dannelly’s faith-centric satire? Since it was rele...
When it was announced Arnaud Desplechin's next feature Spectateurs! (titled the less-appealing Filmlovers! in English) would be a) a docu-fiction hybrid; b) ab...
Oh, to be one of the chosen. I guarantee this thought washes over every single person attending the Cannes Film Festival, at least at some point. It is a reali...
What kind of things does an obsessive documentarian like to watch in their free time? It's a question I was curious to ask John Wilson, a filmmaker who––over t...
In 1963 Paul Newman went to the Venice Film Festival for the Italian premiere of Martin Ritt’s Hud, a few months following its U.S. release, and sat down with ...
Rarely has a star been less visible than Jordi Mollà in Aggro Dr1ft. You could surmise this only knowing the film by random screenshots invariably featuring th...
Safe to say Drive My Car's success wouldn't have reached its historic heights sans Eiko Ishibashi, whose musical contributions acted as both complement and cou...
