It had been a while since I’d seen a film as sweepingly romantic as Maite Alberdi’s The Eternal Memory, a documentary that focuses on the lives of Augusto Góng...
It’s February in Berlin and Michael Cera is dodging bullets. What's it like, one reporter asks, to be a new dad? “It's like a new obsession," the actor explain...
A renowned filmmaker in French cinema for her social realism across many storytelling modes, Claire Simon has crafted documentaries (such as depicting the admi...
If nothing else, Ukrainian director Maryna Er Gorbach’s first solo-helmed feature Klondike can be credited with uncanny timing. A vivid look at an ordinary far...
Tomas (Franz Rogowski) seems to have it all: a career as a director, marriage to Martin (Ben Whishaw), and the freedom to pursue his desires as he wishes. In P...
First things first: I was kindly told not to ask Richard Kelly about any forthcoming projects. It will soon be 14 years since his much-better-than-you-remember...
I admitted upfront, still adjusting my seat in Criterion's New York office, that I don't really know how to interview actors––what their processes and poi...
It’s February morning in Berlin. “I’m a little out of consciousness,” Christian Petzold explains, a tad frazzled but keen to talk––and Petzold likes to talk. H...
It's a crisp morning in Nyon and Lucrecia Martel is going off on one. “To arrive at a meaning you need a sentence, so that is the word order," she begins, her ...
Picking up the pieces of her life after a terrorist attack in Paris, Mia (Virginie Efira, in a César-winning performance) attempts to reconcile fragmented memo...
