With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
For our most comprehensive year-end feature we're providing a cumulative look at The Film Stage's favorite films of 2020. We've asked contributors to comp...
In a year marked by a stagnant box office and distributors experimenting with a wide variety of releases, what does an overlooked film constitute? While there ...
Our year-end coverage continues with a look at the best performances of the year. Rather than divide categories into supporting or lead or by gender, we've wri...
It's funny to think that streaming services like Netflix didn't bother creating posters for their original work a few years back knowing they'd never have to c...
"A cinematographer is a visual psychiatrist–moving an audience through a movie making them think the way you want them to think, painting pictures in the dark...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Though far better known by its English title, the appropriately elegiac Goodbye, Dragon Inn, Tsai Ming-liang’s 2003 masterpiece bears a rather different name i...
A harrowing look at the epicenter of the pandemic, moving stories for the fight for justice, journies into animal worlds, unpacking the intricacies of bureaucr...
While we aim to discuss a wide breadth of films each year, few things give us more pleasure than the arrival of bold, new voices. It's why we venture to festiv...