How is a child’s life different from that of adults today? What is it like growing up around stimuli, in a world that is always-online, and with varying degree...
Oh, to be one of the chosen. I guarantee this thought washes over every single person attending the Cannes Film Festival, at least at some point. It is a reali...
Almost a decade since his debut feature The Here After premiered at Directors’ Fortnight, Swedish director Magnus von Horn is finally in Cannes Competition wit...
Early Modern times were messy: Europe was finding its footing in rationalism, seeking independence from the centuries-long spiritual yoke of Catholicism and Pr...
How can you make a film about the fall of Yugoslavia? This is the question American documentarian Travis Wilkerson asks himself at the start of Through the Gra...
The films of Canadian director Kazik Radwanski are freedom in its purest form, or the purest this particular medium can contain. Being the opposite of prescrip...
It’s safe to call Canadian artist and filmmaker Bruce LaBruce a Panorama mainstay; it’s been two decades and counting since Hustler White premiered in this Ber...
After winning the Un Certain Regard prize at Cannes last year, Molly Manning Walker’s singular debut How to Have Sex has been racking up BAFTA nominations and ...
In 1972, Uruguayan Air Force Flight 571 crashed deep in the Andes, en route to Chile. The 45 passengers included the Old Christian Rugby team, friends, and fam...
“The only difference between children and grown-ups is that the grown-ups are unsupervised.” This line, uttered in the second half of Bill Ross IV and Turner R...
