The Motorcycle Diaries director Walter Salles developed I’m Still Here for seven years before it premiered as part of Venice's Main Competition this year. That...
Boosted by Locarno-awarded debut Instinct, Dutch actor-director Halina Reijn fit nicely in the A24 canon with her satirical thriller Bodies Bodies Bodies. Yet ...
Turkish director Burak Çevik’s fifth feature asks a perennial question (is there politics without violence?) and answers rather grimly, showing how in Turkey, ...
New York audiences might be the luckiest cinephiles this summer: French legend Catherine Breillat’s newest gem of a film Last Summer not only opens theatricall...
It’s rare for a festival like the Berlinale to allow a genre film in its main competition, and this year it was Veronika Franz and Severin Fiala’s third featur...
Headlines read, "Leos Carax Bring Back Baby Annette to the Croisette," but this is only half the truth. Yes, the legendary puppet makes a comeback in C’est Pas...
For his tenth Cannes feature premiere, Arnaud Desplechin chose to present a docu-fictional love letter to cinema. Two years after Brother and Sister was in Com...
How is a child’s life different from that of adults today? What is it like growing up around stimuli, in a world that is always-online, and with varying degree...
Oh, to be one of the chosen. I guarantee this thought washes over every single person attending the Cannes Film Festival, at least at some point. It is a reali...
Almost a decade since his debut feature The Here After premiered at Directors’ Fortnight, Swedish director Magnus von Horn is finally in Cannes Competition wit...
