The Film Foundation's efforts to restore Charles Laughton's The Night of the Hunter are, to my eyes, exemplary. While a new coat of paint isn't necessarily ...
Who's excited for Paterson? We're excited for Paterson! Those of us who haven't seen it, at least. Along with naming it one of this fall's finest selections...
If you were to show me the video for Sleigh Bells' new song, "I Can Only Stare," and ask which acclaimed independent American filmmaker is the credited dire...
In yet another season of big-scale awards contenders and franchise-perpetuating blockbusters, a new Warren Beatty movie -- nay, a new Warren Beatty movie th...
Pinocchio is probably a bit low on your list of classic tales that could use a 21st-century makeover, but a take that's helmed by Matteo Garrone (Tale of Ta...
"No one does it to you like Roman Polanski" – a tagline that would take on some rather unfortunate new contexts only a few years after its unveiling, or the...
If our review of this year's Oscar-nominated live-action shorts is any indication, the Academy got it right when handing their award to Benjamin Cleary‘s St...
Whatever you, personally, make of the picture, it is undeniable that Moonlight is one of the year's most acclaimed films -- if not the best-regarded, period...
Big times, these are, for Pablo Larraín. The highest-profile Chilean filmmaker of this generation will have two -- that's two! -- features open in the Unite...
BAFTA has been doing us a service this awards season (which excludes them from just about everybody) by having some of our best voices conduct screenwriting...
