Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Ken Loach has spent the last half-century crafting iconic films with a push for social issues. This year he became only the 9th director to earn a second Pa...
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
Unless you live in New York City and have some cash to spend or a P&I pass to wave, the New York Film Festival can feel a bit distant. But the Film Soci...
There's been cause for concern with Rogue One: A Star Wars Story. While at least some form of by-committee filmmaking is expected of, oh, every blockbuster,...
You've (hopefully) seen Kenneth Lonergan's films, and you (probably) agree that he has a way of writing for and hearing people -- an acute understanding of ...
Loving Vincent, a Vincent Van Gogh biopic, caught our eye for telling its story entirely through interviews with those depicted in his art. The ambitious-so...
If it wasn't for Chinese box-office returns, Duncan Jones' break into big-budget spectacle might have been for naught, career-wise, but Warcraft could prove...
In pacing, mood, and form, Certain Women is undoubtedly a Kelly Reichardt film (and we're glad), but those who can make that distinction will be all the more ...
As Sully's well-deserved box-office success continues, Clint Eastwood begins moving towards his next directorial effort -- and, yes, it's another story of A...
