I was lucky enough to attend—just as those at New York's Pace Gallery were kind enough to invite me to—a preview of David Lynch's new exhibit, Big Bongo Night,...
It's not so much the question of whether or not Claire Denis and Tindersticks are modern cinema's most fruitful director-musician collaboration; it's more a ma...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Coppola's Dracula, The Ring, and The Love Witch all play on 35mm; Spanish Dr...
It is fair to assume Criterion could plunder the world of licensed film to build an ultimate noir playlist; credit, then, for focusing sharp and nabbing deep c...
Sofia Coppola has begun production on Priscilla, her Priscilla Presley biopic starring Cailee Spaeny and, filling Elvis' massive shoes, Jacob Elordi. Adapting ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern Art
One of our greatest living filmmakers, Tsai Ming-liang, is subject ...
Well, all right: the headline isn't 100% ironclad. Your mileage may vary on where the best of Hong Sangsoo's recent work—let's say the last five films instead ...
And lo a new year begins—or will in two-and-a-half months' time, which still won't stop Criterion from cracking the seal. 2023 (Christ) begins on a bang with B...
It's been nine years since Tindersticks released a Claire Denis soundtrack; every listen to Stars at Noon (of which I've had several this week) justifies that ...
Halloween Ends arrives like the undercooked dessert of a three-course meal nobody much enjoyed—but what garnish these John Carpenter scores were! Unlikely as i...
