It would've been duly appreciated if Kiyoshi Kurosawa only debuted his Serpent's Path remake in the near-future; it's icing on the cake that 2024 will be his m...
Safe saying no Holocaust film's ever looked or moved like The Zone of Interest, whose visual scheme are so odd, so resistant to expectation or desire, that it ...
As a slightly ill-fitting adolescent who'd pass time in class writing down a complete chronology of the Metal Gear narrative, Hideo Kojima's ascendance to full...
Catering directly to my interests, the Criterion Channel's January lineup boasts two of my favorite things: James Gray and cats. In the former case it's his fi...
One year after his 80th birthday and with a new lease on life, Peter Greenaway's begun shooting his first feature since 2015's Eisenstein in Guanajuato with a ...
It could be said a cinematographer's greatest attribute is flexibility. Loathe though I am attributing much credence to Twitter prompts, it's fairly often that...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film ForumThe new 4K Days of Heaven restoration is now playing (read our interview with Bro...
The lesser-known of Charlie Chaplin's canon might still place among the finest films ever made, and his greatest scholars and acolytes will tell you A Woman of...
The mark of an actor's career, I think, is what extent their filmography can reflect the time they're working. Matthew Modine is a prime case: we can point, fi...
