The inescapable, incompatible bonds between man and machine is an idea which can be traced back to the incipient stages of cinema itself; we may be inclined to ...
The Will Ferrell-John C. Reilly machine seemed unstoppable when Step Brothers arrived in 2008, itself coming only two years after their other Adam McKay col...
Never quite content to simply rest on his financial and critical laurels, Paul Feig is, instead, hoping to give the studio comedy something of a well-deserv...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Clearly aware that his Breaking Bad comments were creating an untenable amount of negative press, Oliver Stone has, wisely, decided to get some heat off his...
In the wake of Hitchcock flopping last fall, documentarian-cum-narrative filmmaker Sacha Gervasi could use the opportunity to prove directorial skills a bit...
How quickly time goes by. I can still recall, with relatively clarity, the rapt anticipation surrounding Kill Bill: Vol 1, Quentin Tarantino's first film in...
How nice that James Gray, who often goes years between films, is almost at risk of loading up on too many projects. His rather-strong The Immigrant just com...
Oh, Snowpiercer controversies, how we missed your presence. Bong Joon-ho's reportedly excellent sci-fi actioner is doing just fine overseas -- the thing's a...
Before this weekend, it didn't seem very likely that we'd find some clear connection between the productions of Paul Schrader's The Canyons and Spike Jonze'...
