It seems almost impossible that Werner Herzog's first narrative feature in several years could arrive with almost no fanfare, yet such is what's been bestow...
There were many conversations surrounding Richard Linklater's Boyhood, most of them bad, and among the more interesting concerned its star, Ellar Coltrane -...
Neon Bull has received almost nothing but fine notices in its lead-up to a theatrical release, over the past few months earning plaudits for its vision of n...
How nice that, as early as March 14, one of our most-anticipated films of 2016 can be a couple of weeks away. Following an SXSW premiere, Richard Linklater'...
If I had to name the film that's causing agents the greatest amount of stress about their young, male British clients' future -- I don't know why I have to ...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
Being Tom Tykwer's follow-up to the (whatever else you might think of it) outside-the-box Cloud Atlas and Netflix's great Sense8, I'd assumed that A Hologra...
There may be no living actor -- excepting, say, Jean-Pierre Léaud and Juliette Binoche -- who better represents world cinema than Isabelle Huppert. Her care...
From an outsider's perspective, no frequently discussed side of filmmaking is less understood than film editing, a craft whose success requires (among many ...
As much as I hate to pigeonhole an artist, especially on the basis of just two works, I can't say I'd predict that Act of Killing and Look of Silence direct...
