At the beginning of Bokeh -- the debut of writer-director duo Geoffrey Orthwein and Andrew Sullivan -- an idyllic montage introduces us to a young couple (Maika...
An aside: I find it to be a personal obligation to mention the untimely passing of Bill Paxton, whose consistently vivid performances will be sorely missed with...
Ahead of its SXSW premiere, the first U.S. trailer has been released for Hounds of Love, a crime thriller that marks the feature debut of writer-director Be...
After he and Josh Whedon cooked up one of the most entertaining and effectively reflexive horror films in recent memory with The Cabin in the Woods, writer-...
Alan Clarke's little-seen prison drama Scum has already been available on Blu-ray via Kino Lorber for a few years now, but they'll finally be giving the 2K ...
As it nears release in a month, after an initial trailer, a new dread-inducing preview has been released for the cosmic horror film, The Void. Being compare...
Fresh off the success of his Grand Jury Prize winner at Sundance -- which also marked his directorial debut -- I Don't Feel At Home In This World Anymore, M...
"You know what would translate to the screen really well? A video game." That seems to be the continual and undying sales pitch of Hollywood executives and ...
“I was never good with women,” someone states midway through Bart Freundlich’s coming-of-age basketball drama Wolves. “Great jump shot, though,” he finishes. Th...
When it was announced that Park Chan-Wook's sensuous, tactile, and twisting drama The Handmaiden would only receive a DVD release in the U.S., with the HD v...
Mike Mazzanti is a content project manager at a digital marketing firm by day and a screenwriter at heart. A lover of the outré and the everyday, he is the Resident Genre Enthusiast at The Film Stage and is currently based out of Washington, D.C.
