Claire Denis, set to turn 79 this year, has not slowed in the least. As cameras roll on Cry of the Guards she's entered negotiations to direct The Soap Maker, ...
No streaming service does a director retrospective like the Criterion Channel, and March offers two masters at opposite ends of exposure. On one side is Michae...
Though he recently shot Bugonia and has long been attached to adapt perpetual subway read My Year of Rest and Relaxation, Yorgos Lanthimos has kept at least on...
Turning 95 years old on New Year's Day, Frederick Wiseman has a body of work that could be argued as the most important in cinema history. To view it in totali...
After his long-awaited return with Crimes of the Future, David Cronenberg returned last year to the festival circuit with The Shrouds, a darkly funny conspirac...
Not long since Trap left us heralding the return of Josh Hartnett and dazzled by the music of Lady Raven, M. Night Shyamalan has set his next feature. Per Dead...
Recently set to be preserved at the National Film Registry of the Library of Congress as a film that represents important cultural, artistic and historic achie...
Martin Scorsese's schedule has been uncertain of late. When we talked to Rodrigo Prieto in November he revealed they were supposed to be at work on a new proje...
One of the potential breakout directorial debuts of Sundance Film Festival, which kicks off this week, is Mark Anthony Green's thriller Opus. Backed by A24, wh...
I consider myself something like a student, autodidact or otherwise, of cinema and––even still, must confess––had not ever grasped the concept of Argentine noi...
After graduating from Hampshire College with a degree in music theory, Leonard Pearce turned his passions to film and writing. He lives in upstate NY with his wife Laura and cat Tardi.
