Where better to set a paradisal experimental housing development than Palm Springs? The sun is always shining and the empty desert expands as far as the eye ca...
The last narrative feature Luca Guadagnino directed was a 2018 remake of Suspiria, and his angle was vicious—a dark, mangled body horror so carnal it leaves th...
Silverio Gama (Daniel Giménez Cacho) is, as many artists like to imagine themselves, a disheveled-genius type. Once an independent journalist in his hometown o...
Nine years into its existence, A24—the once-indie production and distribution label behind modern greats like Under the Skin (2013), Moonlight (2016), and Uncu...
Lee Jung-jae’s writing, directing, and producing debut Hunt is a tricky film, a wolf in sheep’s clothing. At its heart this is a 50-50 blend of The Raid and JF...
On April 11, 2019, South Korea’s ban on abortion was struck down by the Constitutional Court. On January 1, 2021, abortion was finally decriminalized. That’s i...
Few filmmakers embrace artistic dichotomy like Baz Luhrmann. The Australian writer-director known for epic, ornate, long-gestating projects has become synonymo...
“Congratulations… it’s a murder.” A backwards thing to celebrate? Not when you’re a droll insomniac detective who’s only happy (read: not miserable) when you’r...
David Bowie’s tranquil voice seeps in over a black screen, waxing poetic philosophy about the infinity and complexity of time. Letters incrementally fade in on...
In 2021 Joel Coen directed his first feature apart from his brother. Seven months after The Tragedy of Macbeth's premiere, it’s Ethan’s turn to fly solo. The p...
A New York City film journalist by way of Austin, TX, Luke is an arts enthusiast who earned his master’s studying film philosophy and ethics at Duke. He thinks every occasion should include one of the following: coffee, whiskey, tea, gin, beer, or olives.
