At last year's Venice Film Festival, Harmony Korine took a wild left-turn with Aggro Dr1ft, the first feature from his new production company EDGLRD. The myste...
It’s fall 1983 in the Pacific Northwest, a historical hotbed for white poverty and white-power mobilization. Flannels flow like wine, backcountry bowl cut-adja...
It’s been nine years since Jon Watts made a feature film that wasn’t about Spider-Man––long enough that for the past three years his MCU entries have outnumber...
When we say a filmmaker is in another league, we typically mean it in a good way––they’re a cut above the rest. But when we say it about Guy Maddin, it doesn’t...
“Everyone has at least one person in Mumbai.” “There’s work and money in Mumbai. Who would want to go back?” “You better get used to the impermanence.” Like po...
Coralie Fargeat made a splash with her debut Revenge. But she was only standing in a puddle, endearing niche corners of the global cinephile community to her c...
Up to this point, Mikey Madison––the fearless, explosive 27-year-old lead of Sean Baker’s Anora––is best-known for her chilling turn as the deranged killer in ...
For a biopic about Donald Trump, The Apprentice is surprisingly concerned with other things. The film has exactly what you might expect and somehow a curiosity...
There’s a lot to look forward to in what has been branded a Mexican comedy-thriller musical from the Palme d’Or winner that brought us Dheepan, A Prophet, Rust...
This one is for the true Lanthimites, the Dogtooth sisters, the biscuit women, The Killing of a Sacred Deer heads, a film to which the callbacks are so abundan...
A New York City film journalist by way of Austin, TX, Luke is an arts enthusiast who earned his master’s studying film philosophy and ethics at Duke. He thinks every occasion should include one of the following: coffee, whiskey, tea, gin, beer, or olives.
