The thing with Jackass is: there’s really nothing like it. Evolving from the skate videos of the 1990s, Jackass has persisted long enough to see its public per...
Note: This review was originally published as part of our 2026 Sundance coverage. The film opens on June 26.
Among Sundance's great pleasures is the exp...
One of the most powerful, important qualities of international film is its ability to slice through language and cultural boundaries to reveal what unites us. ...
Noah Segan’s The Only Living Pickpocket in New York is an ode to a past New York City and the films set there. John Turturro plays Harry, an old-school pickpoc...
The jealousy of unhappy couples. The pettiness of mean girls. The frustration of insecure husbands. It’s a tale as old as time that's curiously interpreted...
Gold is such an apt metaphor for greed. It’s shiny, it’s heavy, it’s superficial, and it’s obtained through someone’s hard labor. That labor is carried on ...
As the world continues fermenting its vile culture, the gang behind The State and Wet Hot American Summer is back to save you from the merciless onslaught of b...
The thing about New York City is: it’s never as good as it was, yet it’s still better than anywhere else. The only thing constant is change, and the city i...
There’s been a lot of reflection at the 2026 Sundance Film Festival, the last to be held in its original home of Park City, Utah. Jay Duplass is one of many fo...
Picture this: it’s an overcast day in August 1972. You’re at a cocktail party at Duke Ellington’s townhouse in Harlem. As you awkwardly hold your glass of ...
Kent M. Wilhelm is a multimedia film & culture journalist in New York City whose insignificant brilliance can be overlooked around the internet. He enjoys the films of Aki Kaurismäki and James Bond.
