Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
The spice must flow, and take over most theaters. While Denis Villeneuve's gargantuan-sized blockbuster will suck up much of the oxygen when it comes to discus...
It's now been over a month since I saw Jane Schoenbrun's I Saw the TV Glow and I haven't been able to shake the experience from my mind. The staggering, genre-...
For the second in a row, the Berlinale jury has awarded the top prize of Golden Bear to a documentary. Before Mati Diop's Dahomey this year, Nicolas Philibert’...
Francis Ford Coppola's Megalopolis isn't this year's only epic around which a director has staked much of their finances to fulfill. After owning television sc...
After his Oscar-nominated epic Killers of the Flower Moon and a sci-fi Super Bowl ad, Martin Scorsese will return to the realm of faith for his next project. W...
One of our favorite undistributed films of 2021 now has a home. Film Movement, who released Kamila Andini's 2022 festival premiere Before, Now & Then in th...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
The kind of movie made to stumble upon surfing cable at 2 am in a half-awake, half-intoxicated stupor, Ethan Coen’s Drive-Away Dolls aims for a lower artistic ...
One of the most singular viewing (and listening) experiences of the year, the documentary The Tuba Thieves explores what it means to listen and how sound––part...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
