The Marvel machine may be the most fortuitous development for Michael Bay. Though the director hasn’t dabbled in the world of superheroes—despite a fondness fo...
We're now just a few weeks away from Robert Eggers' The Northman and while a review embargo prevents full thoughts from being shared, I'm delighted to report t...
Update: The Blu-ray is now available to pre-order here.
Not many directors these days get a six-month window between theatrical release and home video relea...
Premiering in a pre-pandemic world, Camilo Restrepo's Los Conductos was a highlight at the 2020 Berlin Film Festival, where it won the Best First Feature Prize...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...
It's been half a decade since the release of a new Kathryn Bigelow film, but now thankfully it looks like we won't have to wait much longer. Following 2017's D...
Two years into the pandemic, filmmakers will either ignore our current reality entirely, subtly weave it in (such as the latest from Ryusuke Hamaguchi and Joac...
The spring often brings the most interesting slate of releases––films operating outside the prescribed box of awards season contenders while also attempting to...
Following his deadpan dark comedies Faults and The Art of Self-Defense, Riley Stearns heads into sci-fi territory with Dual, which still finds slivers of humor...
Thanks to the pandemic and Tom Cruise's undying commitment to the theatrical experience, it's now the longest we've gone since the release of a new film starri...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
