While many films through the summer movie season will boast of their epic scope, we imagine the results will pale in comparison to a fall festival highlight th...
One of the most fascinating gems on the festival circuit last year was Cyril Schäublin's carefully observed drama Unrest. Set in a 19th-century watchmaking tow...
The calm before summer movie season usually delivers some of the year's most interesting movies––artistic gambles to try reaching audiences before blockbusters...
One of the highlights of New Directors/New Films this year is Manuela Martelli's Chile '76, which comes from Cannes Directors Fortnight and BFI London Film Fes...
A BAFTA nominee, the winner of both Venice Film Festival’s People’s Choice Award as well as a quartet of British Independent Film Awards, Georgia Oakley’s dire...
Much of the world learned of the talent of Ryusuke Hamaguchi when Drive My Car miraculously and deservedly was nominated for multiple Oscars, including Best Pi...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
While Martin Scorsese brought about 20 minutes of footage of Gangs of New York to Cannes Film Festival in 2002, the last time he had an official selection ther...
There's a palpable tactility to the 16mm films of Mark Jenkin, the Cornish director whose Bait and Enys Men are boldly edited, transportive journeys with a sen...
Wes Anderson has kept busy the last few years. While putting the finishing touches on The French Dispatch as the pandemic hit––causing the film's delay for ove...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
