John Fink

[Review] Diary of a Wimpy Kid: Dog Days

Diary of a Wimpy Kid appeals to me much in the same way that watching a rerun of Full House on ABC Family does. It’s become comfort food. Luckily, the three fil...

[Review] Step Up Revolution

Dance movies, not unlike pornography, deliver exactly what they promise, sometimes dressed up with a “plot.” Step Up Revolution delivers both a plot (a lame lov...

[Review] The Watch

I suppose you can describe The Watch (formerly Neighborhood Watch) as high concept, and perhaps high might be the state one would be in to enjoy it. Here we hav...

[Review] Crooked Arrows

Sports in films have been a cultural celebration, predating Leni Riefenstahl’s Olympia also owing its linage to Thomas Edison’s early experiments in motion. Cro...

[Review] October Baby

If only October Baby played it straight with no agenda. The advent of the mega-church I believe has led to a mega-church sponsored filmmaking, with Courageous b...

[SXSW Review] Brooklyn Castle

IS 318, a Brooklyn public school residing in an area with a 70% poverty rate, with a top ranked chess team is the subject of the uplifting doc Brooklyn Castle. ...

[SXSW Review] Gayby

Gayby is not without laughs – however while half the jokes do land, there is a realization the film is at its core a sitcom. It’s saving grace is that it has mo...

John Fink

John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.