The summer studio comedy drought continues with The House. Although occasionally funny, it’s a minor entry into the canon of Will Ferrell’s usual brand of humor...
Focusing on a year in the life of three adult students -- Melissa, Greg and Shynika -- enrolled in Indianapolis’ Excel Center, a publicly-funded high school for...
With a tip of the hat to Jacques Tati, Charlie Chaplin, and Jacques Demy, husband/wife team Fiona Gordon and Dominique Abel’s Lost in Paris is a whimsical, almo...
Documentaries such as David Byars’ fascinating No Man's Land have an important function going beyond the headlines, memes, and talking points that prove to be d...
Bill Nye: Science Guy offers an intimate, behind the bow tie look at the eccentric and flawed star of the public television series he co-created with James McKe...
With a title that sounds a like a rehab facility, Michael Angarano’s Avenues is a spirited, micro-budget indie that recalls the New York City-based work of earl...
Perhaps there’s nothing worse than a film with a campy premise that takes itself too seriously. Everything, Everything takes it title from a spoiler alert its l...
Blame, written, directed, edited, and starring 22-year-old Quinn Shephard, is an impressive debut feature that's confident and assured, yet feels less like a fe...
In Amber Tamblyn’s impressive debut feature Paint It Black, a suicide sets up a tug of war between two unlikely interconnected foes: Josie (Alia Shawkat), a stu...
Long before Dominic Toretto and his crew became globe-trotting superheroes, they might have been the neighbors of the Alvarez family, known as “low-riders” who ...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
