It's easy to divide David Lynch’s career into sections of surprising commercial accessibility and complete mainstream alienation -- the cultural breakthroug...
Plugging away since 1999, The National finally hit mainstream success with the release of their 2010 album High Violet. Of course, this entailed their first world tour, but in the new documentary Mistaken For Strangers, it's only the backdrop for the relationship between lead singer Matt Berninger and his younger brother Tom, who had no idea that these short videos he was shooting would turn into a public document of their troubled, if still loving brotherhood....
After premiering at last year's Sundance Film Festival, Drake Doremus' Like Crazy follow-up Breathe In slides into theaters this Friday, and for the occasio...
Amidst a glut of low-budget horror films, Haunt separates itself with its character-driven approach. With the horror title, which follows a teenager and nei...
Closing out our year-end coverage is individual top ten lists from a variety of The Film Stage contributors, leading up to a cumulative best-of rundown. Make ...
Over the course of more than thirty years, Abel Ferrara’s films have shocked and challenged audiences with their uncompromisingly personal vision of death, fami...
His Twitter account would indicate a man who, sadly, has retreated into a world of receiving royalty checks for remakes, watching basketball, and playing vi...
In a film festival climate which often seeks to grab attention through comparison -- "it’s this year’s that," or, just as often, "it’s this meets that" -- we, o...
It can be said that emerging writer-director Ti West sets a certain expectation, making what some consider to be "anti-horror" films. There's been the '80s feti...
