What's so greatly appealing about Christian Petzold's Barbara is that, for a good chunk of its 105-minute runtime, the film douses itself in an atmosphere of re...
Say what you want about Clint Eastwood's recent output, but the simple fact that it includes films as widely disparate as Million Dollar Baby, Gran Torino, Here...
Ira Sachs's Keep the Lights On is a film of deep, soothing humanity, exploring the truths and fictions of a long-term relationship with prodigious delicacy and ...
The Solution Entertainment Group is currently offering a handful of projects at the ongoing Toronto International Film Festival, one of the more promising o...
Michael Haneke's Palme d'Or-winning Amour has been officially entered into this year's Best Foreign Language Film Oscar race, and even for a title as univer...
Back in March, we expressed a reasonable level of bewilderment when Columbia Pictures announced their plan to purchase rights to an English-language remake of D...
I know, I know, it's only been five months since Gary Ross' The Hunger Games hit theaters, but I'm just itching for another trilogy-starting young-adult ada...
Most of our to-date coverage of Paul Haggis' Third Person has circled around the central casting, which, so far, has been limited to the (perhaps) unlikely ...
James Franco's directorial career hasn't been lacking in production, with the notoriously hyper-creative 34-year-old artist having delivered two features --...
In Paul Thomas Anderson's The Master, Joaquin Phoenix plays one of the most unique alcoholics I've ever seen in a movie. What Aaron Johnson did to pot in Oliver...
