[Review] Olympus Has Fallen
Olympus Has Fallen is a TNT movie, but the best of its kind: one that knows exactly what it is. Director Antoine Fuqua seemingly tailored his heavy-duty actione...
Dylan Chester
[Review] Red Dawn
The 1984 Red Dawn is a product of its time -- bloated, overly serious, goofy and technically clunky. It is pure 80s cheese. Parts of it can be enjoyed on an iro...
[Review] The Man with the Iron Fists
The Man with the Iron Fists marks a long-time passion project for rapper-turned-actor-turned-director RZA. Finally delivering his own Kung fu movie, he took a s...
[Interview] ‘Seven Psychopaths’ Director Martin McDonagh On Writer’s Block, Crafting Clever Dialogue & More
Writer/director Martin McDonagh always delivers a rare brand of cleverness. The man behind In Bruges and his newest film, Seven Psychopaths, could probably ...
[Review] Lawless
Lawless is the first John Hillcoat picture one could describe as fun. The director's two previous pictures -- his satisfying adaptation of Cormac McCarthy's The...
[Review] ParaNorman
When it came to following up Henry Selick's near-perfect stop-motion feature Coraline, Laika animation studio had a lot on its plate. Selick's 2009 film is one ...
[Review] The Campaign
It appears director Jay Roach learned a lot from 2010's Dinner for Schmucks. Although not a film without its moments, it never came together, thanks to a series...
[Review] Total Recall
Paul Verhoeven's Total Recall is a great B-movie. Bloody, hilarious and never too subtle with its message. It packs plenty of what we love and expect from the D...
[Review] Ruby Sparks
In the vein of Jonathan Dayton and Valerie Faris's previous indie hit, the much beloved Little Miss Sunshine, their new film Ruby Sparks isn't exactly what one ...
[Review] People Like Us
A character-driven drama is not something many would assume to place in writer Alex Kurtzman's wheelhouse. Kurtzman and his writing partner, Roberto Orci, usual...
