Now this is a long time coming, and a point of personal jealousy for myself. Why don't they let me make this one?! Paramount has bought the rights to Ray Br...
What was once Darren Aronofsky's big-budget remake of Paul Verhoeven's Robocop is now Jose Padilha's (Elite Squad), so bring on the big-budget movie stars. ...
When one considers the success of HBO's recent John Adams mini-series, it kind of feel obvious. The American Film Company (they've got Robert Redford's hist...
James McAvoy is in line to star in Welcome to the Punch, the Eran Creevy thriller (the writer-director deems it “an epic crime thriller in the mould of Heat...
Since Jennifer Lawrence dropped out of Oliver Stone's film adaptation of the Don Winslow novel Savages for another adaptation of a book (you know which one)...
One day someone will have to explain to me how Woody Allen does it. Every year there are movies. And every year, at least one of them is a Woody Allen movie...
For over a decade, screenwriter Joe Eszterhas molded sex and blood the way Shakespeare molded love and tragedy. Well, maybe not. But an Eszterhas film is a fun ...
Once upon a time, James Marsh's upcoming film Shadow Dancer (which Marsh now says is "sort of between titles right now") had Guy Pearce and Rebecca Hall set...
A while back Eric Bana and Colin Farrell were both interested in writer Sheldon Turner's (Up in the Air) directorial debut By Virtue Fall, a film concerning t...
Paramount Pictures currently finds itself between a blockbuster and a hard place. Well, two actually. As the Jack Ryan reboot Moscow falls back into rewrite...
Dan Mecca is the co-founder and managing editor of The Film Stage. He is a producer and filmmaker living in Pittsburgh. He watches a lot of movies and tracks them on Letterboxd.
