History, art, ideology, and love make up the four pillars of Ephraim Asili’s The Inheritance, a thrillingly alive debut feature that resides both inside the sq...
The end of 2020 and the start of 2021 have featured a diverse and dynamic collection of cinema-related books. Let's start with two of these, a biography of dir...
Some stories don't leave room for a hero even if they provide ample opportunity for one to enter. And when it comes to the 1995 Bosnian genocide that occurred ...
Against the star-spangled, quilted backdrop of what looks like it could be a friendly, amateur Fourth of July talent show, Jane Fonda, Donald Sutherland, and t...
Following up his immensely entertaining Crawl, Alexandre Aja is back with a survival thriller marking his return to a French-language film. Led by Mélanie Laur...
With a two-part structure featuring an online press and industry component that's just concluded, followed by physical screenings this summer, the Berlin Inter...
Lim Jung-eun's directorial debut Our Midnight immediately draws comparisons to other contemporary works. Its use of structure, black-and-white photography, and...
Premiering at last year's Toronto International Film Festival as part of their Industry Selects sidebar, Jesse Noah Klein's Like a House on Fire follows Veep s...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Nguyen Le to discuss the lates...
As a young girl growing up in Lodz, Poland after World War II, the framed still life painting that hung above Lilka Elbaum's family couch became synonymous wit...
