The finest testament to powerful, visionary filmmaking is its lasting impact. Films whose theories about the state of things, or the future state of things,...
"Don’t Judge a Book by Its Cover" is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column foc...
Even as one who loves his work and the traffic it brings this site, I can readily admit that we probably have just about enough in the way of David Lynch-re...
Chuck looks a bit familiar. A film of browns and greens; disco music and ‘70s rock tunes; big haircuts and even bigger lapels. Indeed, in a way reminiscent of r...
I have seen Kiyoshi Kurosawa's Daguerrotype, and the most I'm currently allowed to say is this: no, I've not yet learned how to blind-type that title. (It's...
According to our coverage, this year's Cannes Film Festival was among the more fulfilling in recent memory, which might explain why a (reportedly) solid eff...
Ten years after Anthony Minghella optioned Liz Jensen's The 9th Life of Louis Drax to develop cinematically, it was his son Max who saw it begin production. The...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Today brings some clarification on a recently announced new project from Mia Hansen-Løve, whose excellent new drama Things to Come will arrive in December. ...
