We've all lost friends whether from naturally parting ways or an avoidable blow-up proving petty in hindsight. Age advances and tastes evolve — we don't often t...
It’s been more than 17 years since The Blair Witch Project arrived in theaters and changed the way Hollywood viewed horror, and filmmaking in general, for bette...
Volcanoes are perfect for Werner Herzog. There’s a reason he keeps coming back to them, from La Soufriere to Encounters at the End of the World. They are violen...
The “social realism” sub-genre of drama has been awards bait in the European festival circuit lately and this year’s Locarno International Film Festival jury, l...
It took fifteen years of perseverance—acquiring the rights, losing them, and reacquiring them at the behest of screenwriter Jane Goldman stoking the fire—but pr...
Because Endless Poetry, Alejandro Jodorowsky's follow-up to 2013's The Dance of Reality, is still awaiting a release in the U.S., this French trailer might ...
Who knew the power of love ultimately won independence for the democratic republic of Botswana? I sure didn't. But this is the based-on-a-true-story film writer...
If the Marvel Cinematic Universe can best be defined by a uniformity of style, its biggest handicap is thus a lack of diversity. Case in point: right now, t...
Many lament the “meme-ification” of Werner Herzog, a name once synonymous with masculinist, bravura filmmaking that risked the lives of cast and crew for the sa...
