Dailies is a round-up of essential film writing, news bits, and other highlights from our colleagues across the Internet -- and, occasionally, our own write...
Well-versed in the world of music, Belle & Sebastian frontman Stuart Murdoch recently embarked on a journey in a new medium, that of filmmaking. After c...
Something occurs in the first act of The One I Love, a new romantic drama from Charlie McDowell, that changes the entire dynamic of the film. Thankfully, th...
While we're still waiting on U.S. distribution for Xavier Dolan's last film, Tom at the Farm, the director premiered his latest work, Mommy, at Cannes this ...
I mostly enjoyed last year's suspense horror The Purge, despite high expectations for the premise actually going where it needed to prove more than another gene...
With word that David Fincher's latest feature, Gone Girl, will open the New York Film Festival on September 26th, today we're looking back at his greatest a...
Although he left us over 15 years ago, Stanley Kubrick's influence is certain to never leave the medium of filmmaking. With his final feature, Eyes Wide Shu...
When it comes to American directors, few careers are more varied and prolific than David Gordon Green. Finding acclaim in the world of independent dramas, h...
We can't imagine The Beatles, nor their influence, will ever leave the forefront of popular culture, and this summer their resonance continued. Not only did...
Dailies is a round-up of essential film writing, news bits, and other highlights from our colleagues across the Internet -- and, occasionally, our own write...
