Coming off the Russell Crowe thriller The Next Three Days, Crash writer-director Paul Haggis returned to the world of interwoven stories with Third Person. ...
"Ben knows inherently what that experience is like. He knows what it’s like to be hunted," author Gillian Flynn said earlier this year when it came to the ...
In the treacherous reality TV-filled land of cable, Turner Classics Movies (better known as TCM) remains a haven for cinephiles. At any give moment, one can f...
With his fastest turn-around in well over a decade, Paul Thomas Anderson completed production on Inherent Vice last summer, just around a year after initial...
If you would have told us a few years ago, we would have been taken aback, but indeed, two of our most highly anticipated films of the year feature Kristen ...
After working closely with Danny Boyle on films such as Sunshine, 28 Days Later, and The Beach, Alex Garland expanded his resume, scripting Never Let Me Go ...
While Mad Men's final season kicked off last night, John Slattery (aka Roger Sterling) found time in the off-season to helm his first feature, building on h...
Update: Netflix has acquired the rights to the $30 million film, now titled War Machine, set for a late 2016 release, Deadline reports.
It was just a few...
While he directed the TV movie The Sunset Limited a few years ago, Tommy Lee Jones' last theatrical feature was 2005' s The Three Burials of Melquiades Estr...
Dailies is a round-up of essential film writing and other highlights from our colleagues across the Internet -- and, occasionally, our own writers. If you'd...
