Year: 2012

[Cannes Review] No

Pablo Larraín (Post Mortem) has achieved something spectacularly unique with No, his beta-max rendition of the 1988 referendum vote in Chile concerning dictator...

[Cannes Review] The Hunt

After making big waves with his Dogme classic The Celebration in 1998, Danish filmmaker Thomas Vinterberg has made a handful of flawed and underseen films, whet...