Although he’s previously worked with such directors as Terrence Malick and Baz Luhrmann, Ben Mendelsohn‘s career has been given a major boost this past few years. After breaking out in the Aussie crime thriller Animal Kingdom, the actor has a three-punch of films debuting with The Dark Knight Rises, Killing Them Softly and the TIFF premiere The Place Beyond the Pines.
According to a report at Moviehole, he’s now set to join his Pines star Ryan Gosling for How to Catch a Monster. Marking the Drive‘s star directorial debut, Christina Hendricks is already part of the cast and unfortunately we don’t know how Mendelsohn figures in, but we do have some plot details. Check out the synopsis below for what is aiming to be an ambitious first feature for Gosling.
How To Catch a Monster weaves elements of fantasy noir, and suspense into a modern day fairytale. Set against the surreal dreamscape of a vanishing city, Billy, a single mother of two, is swept into a macabre and dark fantasy underworld while her teenage son discovers a secret road leading to an underwater town. Both Billy and Bones must dive deep into the mystery, if their family is to survive.
How to Catch a Monster begins filming in May for a likely 2014 release.
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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