When news hit that Darren Aronofsky‘s frequent collaborator Clint Mansell would be lending his talents to the score Park Chan-wook‘s Hollywood debut Stoker, we all assumed that Philip Glass — who was previously rumored — had exited. Thankfully, that’s not the case as Entertainment Weekly has an update, as well as an original song for the film.
We’ve gotten a couple trailers for the film that tells the story of some creepy family drama between Nicole Kidman, Mia Wasikowska, Matthew Goode and Jacki Weaver – and now Fox Searchlight have delivering a fitting cut from the soundtrack. After confirming Mansell’s score, along with some original pieces by Glass, EW have shared a song by Emily Wells titled Becomes the Color. The musician was actually hand picked by the director and since no embed is available, check out the impressive song by clicking the player below, along with more details over on the site.
Stoker hits theaters on March 1st.
As my review can attest to, I’m looking forward to not only watch John Wick again but also see how the film hits with general audiences when it arrives this weekend. The actioner stars Keanu Reeves as an ex-hitman who is crossed by the son of his old employer. When everything is taken from him, he decides to […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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