Justin Molotnikov has directed his fair share of television — particularly a series of several episodes on both Shoebox Zoo and High Times — but in 2009 he jumped into the medium of feature filmmaking with his debut, Crying with Laughter. I know next to nothing about the film, though I’ve since learned that it not only took home a Scotland BAFTA for Best First Film, but that it also caught the eye of the well-known American actress Juliette Lewis — enough of her eye, in fact, that she’s agreed to star in Molotnikov‘s follow-up feature, a contemporary noir titled Blood or Water. [The Hollywood Reporter]
“I am excited by Justin Molotnikov’s unconventional, completely organic approach to storytelling and filmmaking,” said Lewis about the up-and-coming Scottish director. “He creates one of a kind, totally engrossing stories with characters that jump off the screen.” Stephen McCole, Kate Dickie, Gary Lewis, and Greta Scacchi are set to join Lewis on screen. The production is scheduled to begin in spring 2012 in Scotland.
Lewis herself has been busy in the television arena as of late, especially with NBC’s The Firm. Her last stand-out film role came in Tony Goldwyn’s Conviction, which, in my view, was an unfortunately glanced over familial drama. Her upcoming big-screen titles include Hick, Foreverland, and Open Road. Hopefully those projects, along with Blood or Water, will continue to establish her image as a talent to be reckoned with.
Did you see Molotnikov’s debut film? What do you think of the casting of Lewis?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute