While Jason Reitman was running the gauntlet for his awards darling — or, so we initially thought — Up in the Air, I was instantly excited by the prospect of Labor Day, which even he, at that point in time, figured would be his follow-up to the Oscar-nominated George Clooney-starrer. Obviously, that turned out not to be the case, as Diablo Cody‘s Young Adult script — loved by some, loathed by others, moderately respected by yours truly — landed in front of him and refused to let go.
He’s now finally back in the Labor Day saddle, though, with Josh Brolin and Kate Winslet set to headline. I confess that I couldn’t help but leaf through Joyce Maynard‘s source material back when the fabrics of this project were first hinted at, though seeing as how that was nearly three years ago, I’ve forgotten a good deal of the book — indeed, much of the recent character details revealed in the official casting of Tom Lipinski were wholly foreign to me.
Anyway, another addition has been made, this time in the form of James Van Der Beek — who, outside of Roger Avary‘s The Rules of Attraction, is known best for his small-screen work in things like Dawson’s Creek. We received a relatively potent amount of detail regarding Lipinski‘s contribution to the story, as his younger-version embodiment of Brolin‘s Frank, “an escaped convict who seeks shelter with a depressed single mom (Winslet) and her young son,” appears to serve a hefty narrative purpose. The extent of Van Der Beek‘s role, however, is currently relegated to a single line: “a police officer investigating a missing person’s case.” [THR]
THR has a second update, saying that Reitman‘s tracked down one of the film’s most important roles: the son of Winslet‘s character. Gattlin Griffith (Changeling, The Green Lantern) is the director’s pick for what, according to others, will be Labor Day‘s most important role — they claim the main action is seen through his eyes, for instance — although nothing’s been inked just yet. Expect that to change soon.
And, finally, Variety has come in to tell us that Brighid Fleming (Gamer) will portray Eleanor, “the mysterious object of Griffith’s affection who seems to know everything about the world that he doesn’t.” You could say this one’s coming together at an expedient rate.
Hopefully, it also means we’ll be getting a more concrete word on the production dates in the meantime, because I’m fiendishly intrigued to see how Reitman continues to transition from outright comedy-drama to a more severe focus devoted solely to the latter. Young Adult certainly hinted at that — but it was Cody‘s pen, not his own.
Are you excited for Labor Day? Have you read the Maynard novel?
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With this year’s Cannes Film Festival halfway done, one of the clear highlights is Coens‘ 1960′s-set folk music tale Inside Llewyn Davis. Profiling a down on his luck musician (Oscar Isaac), whose natural talent indicates he is destined for success, the film is a vivid portrait of what it means to be a starving artist. In [...]
Welcome to the latest episode of our official podcast, The Film Stage Show. This week, staff writer Danny King, associate editor Nick Newman and I review J.J. Abram‘s new entry in his flagship franchise, Star Trek Into Darkness. Before that, though, we run down our top 3 most-anticipated films of the Cannes Film Festival. Finally, we take a look at the [...]
There is truly something magical when you combine the French Riviera, the global film market and thousands of hungry filmgoers and critics. The end result is what has come to be known as the most prestigious film festival in the world, the Cannes Film Festival, currently in its 66th iteration. This is my third year [...]
The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits related to classic or independent cinema. If you have any suggestions, feel free to e-mail in or tweet to @TheFilmStage. Check out the rundown below. Above, an unused Taxi Driver poster made for SpokeArt’s Martin [...]
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