If you like some music to go along with your movies, today is your treat. First up, Jack White of the now defunct White Stripes, who just released his solo album, has signed on to write, produce and perform his own original score for Disney’s big blockbuster The Lone Ranger. Despite his music being featured in a number of films and many filmmakers, including Michel Gondry, crafting his music videos, this will be his first foray into scoring a feature film. Look (and listen) for Gore Verbinski‘s film, starring Johnny Depp and Armie Hammer, in about a year when it arrives on May 31st, 2013.
We’ve also got news that electronica artist Moby will be lending his hand to Fredrik Bond‘s feature debut, The Necessary Death of Charlie Countryman, starring Shia LaBeouf, Melissa Leo and Til Schweiger. The film revolves around a young man named Charlie Countryman who falls for the beautiful property (Evan Rachel Wood) of a dangerous crime boss (Mads Mikkelsen). In trying to win the hand of the woman he loves, Charlie most endure beating after beating. Schweiger is to play Darko, a Serbian gangster and former soldier in hiding, running a strip club in Budapest. Moby, possibly best known in the film scene for his song contributions to the Bourne and James Bond series, definitely adds a new dimension to this film. [Deadline]
Last up, composer Thomas Newman, who is coming off his Skyfall gig, will be scoring Steven Soderbergh’s next film The Bitter Pill. Having worked with the director on Erin Brockovich and The Good German, this will mark their third collaboration, for the film starring Rooney Mara, Channing Tatum, Jude Law, Catherine Zeta-Jones and Vinessa Shaw. Newman usually puts out quality work, so it’s interesting to see Soderbergh pick a more classic composer rather than his recent collaborations, most notably Cliff Martinez. The Bitter Pill arrives this February. [The Playlist]
What do you think about these composers? Which score are you looking forward to most?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute