Fielding questions about Kubi, a period piece chronicling a few years of internecine feudal wars in 16th-century Japan, Takeshi Kitano dismissed some rumors he...
In a twist for the ages, the greatest joke of Todd Phillips’ Joker sequel––which contains far fewer punchlines than the first, regardless of how they land––is ...
Where’s the filth? I wrote down the question on page two of my notes, roughly about when Queer entered its second chapter, sending Lee (Daniel Craig) and his y...
It’s fall 1983 in the Pacific Northwest, a historical hotbed for white poverty and white-power mobilization. Flannels flow like wine, backcountry bowl cut-adja...
In life and in cinema, Pedro Almodóvar likes to talk about death. When people aren't losing their faculties in his films––like going blind (Folle... folle... f...
The Motorcycle Diaries director Walter Salles developed I’m Still Here for seven years before it premiered as part of Venice's Main Competition this year. That...
When The Childhood of a Leader premiered at the 2015 Venice Film Festival, you had to wonder where Brady Corbet could possibly go next. There was just somethin...
Boosted by Locarno-awarded debut Instinct, Dutch actor-director Halina Reijn fit nicely in the A24 canon with her satirical thriller Bodies Bodies Bodies. Yet ...
After the detour of El Conde, Pablo Larraín returns with a study of opera singer Maria Callas, thus closing out a triptych of films on glamorous women, gilded ...
Before highlighting 40 films confirmed to be arriving in theaters this fall that you should have on your radar, we turn our attention to the festival-bound fil...
