While TIFF held a screening of the hilarious New Zealand comedy What We Do in the Shadows, they also got some action from the country as The Dead Lands prem...
Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
When a few hundred films stop by 2014's Toronto International Film Festival, it's certainly impossible to cover everything, but we were able to catch about 80...
What Still Alice posits on the most basic level about its title character’s decline is profoundly counterintuitive. Highly intelligent people, Alice’s doctor su...
Depending on your attitude, the 5-hour, 38-minute length of Lav Diaz’s From What Is Before might represent a handicap in its favor, or a demerit. A certain stri...
After sweeping Sundance, stopping by Cannes, Toronto and, shortly, NYFF, I had finally had the chance to check out Damien Chazelle's Whiplash. While a full ...
After crafting the extraordinary coming-of-age drama Goodbye First Love, director Mia Hansen-Løve has returned this fall with Eden. Premiering at TIFF and t...
Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
There are at least two problems with the phrase “self-discovery”: a) the idea that discovering the self is a discrete act; b) the idea that the self is a discre...
A teenage girl, captured through a static wide shot, runs through a quaint Detroit suburb, her body dwarfed by its trees and middle-class homes. The sense that ...
