At barely two years old, Harmony Korine’s “post-cinema” company EDGLRD is already branching out. After directing AGGRO DR1FT and Baby Invasion, Korine take...
My friend (and Film Stage Managing Editor) Nick Newman likes the term “counterfeit money” to describe certain movies. Be it The Batman or Ben Affleck's oeuvre,...
You can’t accuse John Early of not committing. Through the majority of his acting career, the comedian has become a reliable avatar for a palpable, toxic, ...
It’s a fleeting, impermanent moment. At a concert, Fleur (Nina Meurisse) locks eyes with Julian (Laurence Roothooft) just as she takes her seat, and suddenly a...
Is the idea of a Claire Denis film changing? There was likely an image one formed in their head when that name emerged: elliptical, sexy, avant-garde. Yet rece...
Eight years since Zama and more than two since she shared details, Lucrecia Martel has returned with her first feature-length documentary, Landmarks (Nuestra T...
After landing on our radar with his remarkable, formally fascinating Atlantis, Ukrainian director Valentyn Vasyanovych has returned with To the Victory!, which...
Making its world premiere this Tuesday as part of the 50th Toronto International Film Festival's Discovery section, Karla Badillo's directorial debut Oca tells...
It’s not too grand a statement to say the environment you watch a film in will heavily impact how you feel about it. This was the case with Sacrifice, a suppos...
How do you tell when you stop being good people pretending to be bad and realize you’re just bad people who can’t even trick themselves into thinking they’re a...
