Note: This review was originally published as part of our 2025 TIFF coverage. Roofman arrives in theaters on October 10.
Derek Cianfrance’s place in the cur...
In The Lost Bus, the latest propulsive and sweat-inducing disaster thriller from Paul Greengrass, a few electric sparks from a major power line hit dry wee...
It’s a terrible, horrible, no good, very bad day for Steve (Cillian Murphy). As the headmaster at Stanton Wood, a boarding school for troubled young men, he sh...
Coming-of-age tales are a genre with little recent innovation. Yet Singaporean-American filmmaker Siyou Tan finds remarkable specificity and novelty in her Sin...
At barely two years old, Harmony Korine’s “post-cinema” company EDGLRD is already branching out. After directing AGGRO DR1FT and Baby Invasion, Korine take...
My friend (and Film Stage Managing Editor) Nick Newman likes the term “counterfeit money” to describe certain movies. Be it The Batman or Ben Affleck's oeuvre,...
It’s a fleeting, impermanent moment. At a concert, Fleur (Nina Meurisse) locks eyes with Julian (Laurence Roothooft) just as she takes her seat, and suddenly a...
Is the idea of a Claire Denis film changing? There was likely an image one formed in their head when that name emerged: elliptical, sexy, avant-garde. Yet rece...
Eight years since Zama and more than two since she shared details, Lucrecia Martel has returned with her first feature-length documentary, Landmarks (Nuestra T...
After landing on our radar with his remarkable, formally fascinating Atlantis, Ukrainian director Valentyn Vasyanovych has returned with To the Victory!, which...
