Morgan Spurlock, who rose to fame after famously stuffing his face with Big Macs and French fries in Super Size Me, returns to form with The Greatest Movie ...
Drake Doremus' Like Crazy is an intensely personal film. Some may relate to its themes of longing and love, while others may find it disconnected and manipu...
I loved Richard Ayoade's directorial debut Submarine so much at Toronto International Film Festival (video review here), that I had to see it again during S...
The first screening I attended at this years Sundance film festival was Shorts Program 1, where I was privy to witness a grab bag of both excellent and sub-par ...
Few films make me really laugh out loud, maybe its because of my fondness for the darker psychological fare of filmmaking, but The Guard directed by newcome...
Young, star-crossed love. Every Sundance there's never a shortage of coverage on the subject. This year there's Submarine and Like Crazy, directed by Richard ...
One of the films generating a lot of 'buzz' at this years Sundance film festival is Sean Durkin's debut feature film Martha Marcy May Marlene or as its fond...
Koreans love revenge films and know how to do them well. Such is the case with Ji-Woon Kim's brutal cat and mouse thriller I Saw the Devil which features th...
The first feature length film I saw at this years Sundance film festival was a midnight screening of Silent House, a real-time horror ride from Sundance alu...
Diving head first into identity crisis and refusing to come up for air, John Akomfrah's experimental docu-essay The Nine Muses asks us to question our own i...
