In dance, you have to lead with confidence. Your partner looks to you for guidance, and they require you to look back at them responsively, to move instinc...
Gold is such an apt metaphor for greed. It’s shiny, it’s heavy, it’s superficial, and it’s obtained through someone’s hard labor. That labor is carried on ...
Rock Springs works within a familiar genre framework––a family moves to a home in a town filled with strange people and is promptly haunted by spirits––to prob...
An exacting, well-articulated portrait of a Kosovan family in crisis as they attempt to make ends meet, Shame and Money confronts anxieties in a life drown...
There’s always been something sexy about the image of the cowboy, which has been praised as a portrait of good, old-fashioned masculinity as much as it’s been ...
Even before his campaign for the removal of indigenous people from their land in the 1800s, Thomas Jefferson was pillaging burial grounds under the guise o...
A kaleidoscopic celebration of creativity and inquiry into the boundaries of free speech, David Shadrack Smith’s Public Access revisits the birth of cable tele...
Finding poetic beauty in the quotidian, Walter Thompson-Hernández’s If I Go Will They Miss Me centers on coming of age in housing projects of southern Los Ange...
A brisk docu-thriller that could do more with the richness of the players it chronicles, Mohammed Ali Naqvi’s Hanging by a Wire is not without thrills and huma...
Taking a genre familiar to Sundance audiences and creating something distinct, if not entirely original, Ramzi Bashour’s road-trip drama Hot Water finds subtle...
