Polite Society, written and directed by Nida Manzoor, moves like a supersonic jet. That's one of the best things about the picture. Telling the coming-of-age s...
Little Richard: I Am Everything is positively bursting with unforgettable anecdotes, so much so that choosing one standout is virtually impossible. So perhaps ...
In the beginning of A Thousand and One, the New York City streets are alive, detailed and humming with swagger. It’s 1993 and Inez struts through Brooklyn afte...
While our Sundance Film Festival 2023 coverage continues to roll in, the respective juries at Park City have doled out their winners, with Grand Jury Prizes aw...
It feels serendipitous that Scrapper, a somber slice-of-life British melodrama, screened at the Sundance Film Festival just days after hysterical reporting on ...
The premise is simple; it promises a comical, stranger-than-fiction thrill-ride. Late at night, an elderly Vietnamese cab driver begrudgingly agrees to a routi...
At first glance, the two friends in Against the Tide couldn’t be more different. Both Koli fishermen, their similarities seem to stop at the generality of thei...
Raven Jackson’s directorial debut All Dirt Roads Taste of Salt is a distillation of cinema to its purest form, a stunning patchwork of experience and memory. D...
Taking the Scorsese wisdom of “more than 90% of directing a picture is the right casting” to heart, Ira Sachs’ radiantly sexual three-hander Passages couldn’t ...
The talk of the internet in late 2017, Kristen Roupenian’s New Yorker story about a date gone horribly awry lit a short-lived fire of discourse surrounding gen...
