NYFF

Venice Review: Michelangelo Frammartino’s Il Buco Burrows Down, Down, Down Towards an Epiphany

Caves… whence we came from––and for Italian auteur Michelangelo Frammartino’s latest work Il Buco––towards which we return. The fixation with caves and speleol...

Venice Review: Denis Villeneuve’s Dune is a Bombastic, Impersonal Imperial Space Tragedy

David Cronenberg, who certainly knows a thing about difficult literary adaptations, may have said it best: "In order to be faithful to the book, you need to be...

First Trailer for Jane Campion’s The Power of the Dog

It's hard to believe it's been over a decade since the last feature film from Jane Campion. While she was busy in the interim crafting two seasons of Top of th...

59th New York Film Festival Adds C’mon C’mon, Dune, Red Rocket, The French Dispatch & More

The 59th New York Film Festival continues to expand its lineup, following Main Slate and Revivals announcements. The in-person event, which will take place fro...

Newly Restored Films by Mira Nair, John Carpenter, Lynne Ramsay & More Will Premiere at the 59th NYFF

Following their Main Slate announcement, Film at Lincoln Center has now unveiled the slate of new restorations set to premiere at the 59th New York Film Festiv...

59th New York Film Festival Main Slate Unveiled

The Main Slate selections for the 59th New York Film Festival, presented by Film at Lincoln Center from September 24-October 10, have been announced. Featuring...

Azazel Jacobs on the Pressure of French Exit, Casting Michelle Pfeiffer, and Growing Up in the Filmmaking World

Azazel Jacobs grew up in the world of film, understanding its importance from his father, experimental filmmaking pioneer Ken Jacobs. His newest feature, Frenc...

NYFF Review: Michelle Pfeiffer is Brilliant in the Surrealist, Melancholic Comedy French Exit

At a glance, Azazel Jacobs’ French Exit seems trivial, especially at a time when billionaires exist in droves, and the wealth divide continues to drastically w...

Hopper/Welles Team on the Curious Mind of Orson Welles, Completing His Vision, and the Importance of Physical Media

Producer Filip Jan Rymsza, editor Bob Murawski, along with Peter Bogdonavich and Frank Marshall, surprised the film world in 2018 when they finished Orson Well...

NYFF Review: John Boyega Navigates a Programmatic Narrative in Steve McQueen’s Red, White and Blue

Red, White and Blue, the third and weakest film from Steve McQueen’s Small Axe anthology series to premiere at this year’s NYFF, suffers because of its program...

News

Martin Scorsese Speculates on Retirement: “A Couple More, One More Maybe, and That’s It, Okay?”

Joachim Trier and Renate Reinsve Plot Worst Person in the World Reunion Sentimental Value

The Criterion Collection’s December Lineup Includes Guillermo del Toro, The Red Balloon Box Set, and Blast of Silence

Trailers

May December Trailer: Natalie Portman Digs into Julianne Moore’s Controversial Past in Todd Haynes Drama

Jessie Buckley & Riz Ahmed Question Their Love in First Trailer for Christos Nikou’s Fingernails

Exclusive Trailer for New Restoration of Asghar Farhadi’s Dancing in the Dust, Getting First-Ever North American Release

Reviews

San Sebastian Review: Matteo Garrone’s Io Capitano is a Mesmerizing, Urgent Migrant Tale

TIFF Review: Lil Nas X: Long Live Montero is an Energetic Celebration of a New, Controversial Star

TIFF Review: Lee Tamahori’s The Convert Stumbles Between Action and Drama

Features

8 Undistributed Films to See at the 61st New York Film Festival

New to Streaming: Bottoms, Cassandro, Sanctuary, Padre Pio & More

NYC Weekend Watch: Reverse Shot at 20, The Tree of Life, Dog Day Afternoon & More

Interviews

Cinematographer Ed Lachman on Being Pablo Larraín’s “Dance Partner” for El Conde

Terence Davies on Bringing Poetry to Life, Directing His New Short, and Planning His Next Feature

Wayne Wang on His Diverse Filmography, Revisiting Old Work, and the Time Gangsters Visited His Set

Podcasts

The B-Side – Michael Keaton: Part II (with Cory Everett)

Watch: Cinephile Summer Season Finale Features The Film Stage vs. Bright Wall/Dark Room

The B-Side – In Conversation with Dustin Guy Defa