“Klara remembered who she was. She pulled away from the window and she was a sculptor, although she didn't always believe it, an artist––she believed them some...
Hlynur Pálmason’s fourth feature marks a soft, Malickian left turn for the man behind the icy-bleak dramas Winter Brothers, A White, White Day, and Godland...
With Mount Vesuvius looming over southwestern Italy’s idyllic region of Naples, both in history and imagery, one might reasonably think Gianfranco Rosi’s B...
The Currents begins with a curious, impulsive act. Lina (Isabel Aimé González Sola) is being recognized for her work in Switzerland when, suddenly, she complet...
A few years ago at DocLisboa we praised I Saw, in which exiled Russian filmmaker Vadim Kostrov revisits an innocent day. The director is returning to the festi...
Note: This review was originally published as part of our 2025 Venice coverage. The Mastermind opens in theaters on October 17.
For the second time in t...
Note: This review was originally published as part of our 2025 Venice coverage. Frankenstein opens in theaters on October 17 and arrives on Netflix on November...
Note: This review was originally published as part of our 2025 Berlinale coverage. Blue Moon opens in theaters on October 17.
There was Dewey Finn, Ned ...
Note: This review was originally published as part of our 2025 TIFF coverage. Good Fortune opens in theaters on October 17.
To hear a story from Azrael (Ste...
Capturing the city of angels like few other writers, The Black Dahlia and L.A. Confidential author James Ellroy is the subject of the latest documentary from d...
