One of the most prized moments of Howard Hawks’ macho manifesto Rio Bravo is when Dean Martin’s Dude kicks back, gazes lightheadedly at the ceiling, and moseys...
Anne (Léa Drucker) is an esteemed lawyer: as uncompromising as she is in her line of work, she is free to enjoy her private life. In her '40s she has it all, t...
Near the halfway point of The Delinquents, a funny, existential epic from Argentina, a banker dips into an arthouse cinema. Though almost all the seats are fre...
In 2006, Aki Kaurismäki was asked what he felt young filmmakers lacked. His response was almost Cartesian: “Humility," the director suggested, "Above all, it i...
For his last trick, at the 2022 Cannes Film Festival, Italian maestro Marco Bellocchio turned the 1978 Red Brigade kidnapping and assassination of Prime Minist...
Look near the top of Wes Anderson's latest rolling cast and you'll find Rupert Friend, who made a brief appearance in The French Dispatch, and a rare Wes first...
Remember Titane? The day after Julia Ducournau’s Palme d’Or, a couple of summers ago in Cannes, Nanni Moretti took to Instagram and shared a selfie. The pictur...
Wes Anderson has done it all: India by train, Rhode Island by foot, the Mediterranean by sub, France by bike, faux-Germany by hotel, apple-orchard America by f...
On the heels of his premiere, nine hours after Netflix bought his newest film for $11 million, Todd Haynes is a happy man, seated casually at breakfast in the ...
For all their grisly mayhem, the earliest films by Takeshi Kitano all demonstrated a keen grasp of negation. Violence was an omnipresent fixture of his first c...
