Rock Springs works within a familiar genre framework––a family moves to a home in a town filled with strange people and is promptly haunted by spirits––to prob...
An exacting, well-articulated portrait of a Kosovan family in crisis as they attempt to make ends meet, Shame and Money confronts anxieties in a life drown...
There’s always been something sexy about the image of the cowboy, which has been praised as a portrait of good, old-fashioned masculinity as much as it’s been ...
A Hong Sangsoo Berlinale premiere is no surprising development, but the first details on his 34th feature, The Day She Returns, are particularly exciting. Not ...
What exactly is artificial intelligence? Where does it come from? And precisely how powerful is (or will) it become? Valerie Veatch's documentary Ghost in the ...
Even before his campaign for the removal of indigenous people from their land in the 1800s, Thomas Jefferson was pillaging burial grounds under the guise o...
A kaleidoscopic celebration of creativity and inquiry into the boundaries of free speech, David Shadrack Smith’s Public Access revisits the birth of cable tele...
Kicking off next week, the 2026 Berlinale will bring no shortage of new discoveries, and one on our radar is the feature debut from Saša Vajda. The lights, the...
As the world continues fermenting its vile culture, the gang behind The State and Wet Hot American Summer is back to save you from the merciless onslaught of b...
Finding poetic beauty in the quotidian, Walter Thompson-Hernández’s If I Go Will They Miss Me centers on coming of age in housing projects of southern Los Ange...
