Directed by Rodney Ascher, best known for his horror-focused documentaries Room 237 and The Nightmare, Ghost Boy approaches its subject Martin Pistorius from, ...
A snapshot of the most exciting voices working in American and international cinema today––and with a strong focus on newcomers––the Museum of the Moving Image...
After showcasing work from the likes of Ryûsuke Hamaguchi, Hou Hsiao-hsien, Kelly Reichardt, Pedro Almodóvar, Souleymane Cissé, Jia Zhangke, Spike Lee, Lynne R...
Of all the directors who made the jump from music videos to feature-directing during MTV’s '90s peak, Michel Gondry is the sole name whose work hasn’t been abl...
Depending on who you ask, the cultural domination of the Walt Disney Company can be a wonderful thing or an inescapable nightmare. From Marvel to Pixar, 20th C...
Amongst the debut features populating Berlinale’s new section called Perspectives, none presented so admirably fresh take on fiction and political historie...
The first time I came across the name John C. Lilly I was––rather fittingly, for reasons that will become clearer in a minute––not exactly sober. Late in the n...
Quite a long time in the works, with Errol Morris attached to direct as early as 2013, the thriller Holland (formerly known as Holland, Michigan) finally embar...
The last time Hong Sangsoo failed to feature in a Berlinale program, Childish Gambino’s “This is America” was in the charts and Green Book was on its way t...
Consider the logline: a 34-year-old, pre-diabetic, 250-pound, extremely anxious loner finds respite as a cleaning simp for dominatrices eager to belittle h...
