Few things loosen the grip of winter like a sun-kissed film. Add listless days and young love to the narrative and you might even forget the icy chill outside....
French director Léonor Serraille’s third feature Ari is the portrait of an über-sensitive young man who ponders his place in the world while looking up peo...
Some images have become metonymic by nature, reflecting the political problems of today with little to no context needed. Such a shot opens Michel Franco’s...
Is Mark Ruffalo giving a Trump impression? It’s early into Bong Joon Ho’s Mickey 17 when the actor struts into the frame in a velvety blazer, wife Ylfa (Toni C...
Note: This review was originally published as part of our Berlinale 2025 coverage. Hot Milk opens in theaters on June 27.
A mother-daughter relationship...
Carving out a fascinating filmography with his uncompromising, intimate character studies, Canadian director Denis Côté returns this year with Paul, a new...
The 75th edition of the Berlin International Film Festival opens today and, following the rather unceremonious end of its previous two directors’ respective te...
Coming after a major 2024 with the U.S. release of his blistering satire Do Not Expect Too Much from the End of the World (which nabbed a spot in our...
Kicking off this week, the 2025 Berlinale features no shortage of exciting premieres. One on our radar is Peruvian filmmaker Tatiana Fuentes Sadowski's La memo...
The title isn’t an order; it’s a plea. Wind, Talk to Me, Stefan Djordjevic’s feature debut, began as a portrait of the director’s ailing mother, Negrica, a...
