Continuing in the low-key register of her Golden Bear winner Alcarràs, Carla Simón returns with Romería, another tale of intergenerational dissonance. A film a...
While there’s the oft-repeated observation that every generation thinks they are living through the end of the world, the maelstrom of anxieties (both quotidia...
George Fahmy (Fares Fares) is an A-list movie star of the highest order, something Eagles of the Republic establishes at the jump. We open on him with a beauti...
Set for a world premiere at the Cannes Film Festival today, Alpha provides Julia Ducournau the unenviable task of following 2021's Palme d'Or winner Titane. St...
The laws of time and space are met with frisky ambivalence in Drunken Noodles, Lucio Castro’s anticipated third feature and surely the hottest title in this ye...
When confronted with the past, do you drive away or turn back to face it? Siblings Ren (Kurosaki Kodai, in his first lead role) and Emi (Mai Kiryu) have be...
Just three years since earning a special mention from the Camera d’Or jury for Plan 75, Chie Hayakawa returns to Cannes as one of seven filmmakers debuting in ...
Late into I Only Rest in the Storm, Sergio (Sérgio Coragem) is asked a question he can’t seem to answer: what do you care about? A Portuguese environmental eng...
As reminders that ignorance, bigotry, and hate can literally kill, stories about the AIDS epidemic will always be relevant. The latest, beautiful example arriv...
After releasing two films last year with Hit Man and the rather-overlooked God Save Texas: Hometown Prison, the ever-prolific Richard Linklater returns in 2025...
