As my 13-year-old son and I browsed a Buffalo, NY, record shop on a recent Saturday morning, his eyes were drawn to two action figures dangling from the wall. ...
Before the early-morning Sundance premiere of Freaky Tales, one of the festival’s programmers introduced the movie as an explosive, crazy ride that would ...
"Police power is immediate power." These opening words from Redditt Hudson––former police officer and co-founder of the National Coalition of Law Enforcement O...
Editor's note: Following the publishing of our review, we received word from Brenden Dawes, who developed the generative system used by the filmmakers of Eno,...
Near the end of Love Lies Bleeding, someone eats a large black beetle. It happens in a moment of abrupt anger, and it’s bitten into so forcefully that it's as ...
Tender yet rageful, quiet yet deafening, intimate yet expansive, Jane Schoenbrun’s I Saw the TV Glow is a towering achievement of total artistic freedom, the k...
Ask enough people what they think about psychics and clairvoyants, and you’ll probably get eye-rolls. Whether referencing the storefront tarot readers or the m...
“Don't it always seem to go that you don't know what you've got 'til it's gone?” –– Joni Mitchell
More or less a feature-length adaptation of those immort...
There are few things better than when a good idea blossoms into a great movie. It's What's Inside, written and directed by Greg Jardin, achieves this rare feat...
One of the stand-out directorial debuts of the Sundance Film Festival this year is Haley Elizabeth Anderson's Tendaberry, which premiered yesterday as par...
