French director Léonor Serraille’s third feature Ari is the portrait of an über-sensitive young man who ponders his place in the world while looking up peo...
Some images have become metonymic by nature, reflecting the political problems of today with little to no context needed. Such a shot opens Michel Franco’s...
Is Mark Ruffalo giving a Trump impression? It’s early into Bong Joon Ho’s Mickey 17 when the actor struts into the frame in a velvety blazer, wife Ylfa (Toni C...
A mother-daughter relationship is rarely a love story, at least not in any of the ways art has dramatized it thus far. Sure, a mother loves her daughter de...
Carving out a fascinating filmography with his uncompromising, intimate character studies, Canadian director Denis Côté returns this year with Paul, a new...
The 75th edition of the Berlin International Film Festival opens today and, following the rather unceremonious end of its previous two directors’ respective te...
Coming after a major 2024 with the U.S. release of his blistering satire Do Not Expect Too Much from the End of the World (which nabbed a spot in our...
Kicking off this week, the 2025 Berlinale features no shortage of exciting premieres. One on our radar is Peruvian filmmaker Tatiana Fuentes Sadowski's La memo...
The title isn’t an order; it’s a plea. Wind, Talk to Me, Stefan Djordjevic’s feature debut, began as a portrait of the director’s ailing mother, Negrica, a...
Kicking off this week, the 2025 Berlinale provides an eclectic showcase of world cinema. One directorial debut on our radar comes from Sophie Somerville, Melbo...
