While there's a few more fall film festivals popping up in the next month, the major ones are behind us, which means we have a strong sense of the films to hav...
Timothy and Stephen Quay have developed an entirely unique style in the world of stop-motion animation: vigorously kinetic yet meticulously controlled; balleti...
Robert Minervini’s The Damned begins with two wolves tearing into a elk carcass, ripping off its fur and chewing its intestines. This isn’t a nature ...
It takes confidence to name your film––simply and so very unspecifically––Love. Michael Haneke could get away with it for giving us the classic that is Amour. ...
Romanian filmmaker Andrei Ujică’s TWST / Things We Said Today exists in the world of Beatlemania. It uses archival footage from the lead-up to the Beatles conc...
Jane Schoenbrun didn’t invent movies exploring teenage malaise and identity through the lens of pop culture, but in the opening moments of Caroline Poggi and J...
With only two feature films, Georgian writer-director Dea Kulumbegashvili has collected some of the highest accolades in the film world. Her astonishing debut ...
Many films have dared to ask if a man and a woman can ever just be friends, but very few have managed to answer in the affirmative. For most of its first half,...
Steve McQueen has long been upfront about his desire to make a musical; before Widows underwhelmed at the box office, it appeared likely that a passion project...
For a certain kind of cinephile (e.g. me) more than a decade's been spent wondering about Julia Loktev. The brilliant director behind Day Night Day Night and T...
